SPL Crimson Black
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So all you essentially need for a professional recording start-up is the Crimson and a DAW.
- Max. six recording and six playback channels
- 10 source connections, 20 monitoring channels
- 34V operational voltage for pro levels up to +22dBu
- 24Bit/192kHz converter
- Two discrete mic preamplifiers
- Two instrument preamplifiers (Hi-Z, +22dBu)
- Two separate headphones amps
- Connect and control two stereo speaker sets
- Monitor mix from recording and DAW return paths
- Individual artist monitoring signal, with talkback option
- Hot-plugging iPad recording/monitoring (Class 2 compliance)
- Hi-Speed USB 2.0 (480MBit/s), MIDI I/O, SPDIF I/O
- WIN XP, Vista, 7, 8, 10 (32/64 Bit)
- MAC OSX 10.6/higher, iOS 6/higher
- HxWxD: 60x330x207 mm, 2.36"x13"x8.15"
- Made in Germany
New Features of the 2nd Revision:
- Monitoring of a digital input (SPDIF SOURCE) available in stand-alone mode (no DAW required)
- Artist Mode can be disabled via dip switch, if SPK B is used for a second pair of speakers
- Improved gain matching with new level range dip switch
- Improved Mic Gain potentiometer range
- Improved Mic inputs overvoltage protection
- Longer illumination/Peak Hold of the -6dB LEDs
- Longer illumination/Peak Hold of the MIDI LED
Crimson is designed to operate with your Digital Audio Workstation. But you can also do a lot with it as a stand-alone device: plug in an instrument and play. Connect a microphone and sing along.
Mix your own monitor signal with playback or guide tracks from any source – including your smartphone. What you are playing is not bad? Turn on the DAW and record it.
The Crimson leaps forward to set a new sound quality benchmark in its price range. With the Crimson you have a boutique device at a fraction of the price we used to know from traditional engineering and manufacturing.
Recording Channels
2 microphone inputs (XLR)
2 Instrument inputs (TRS)
4 balanced line inputs (TRS)
2 S/P-DIF
Note: any 4 analog channels can be recorded simultaneously. Including S/P-DIF, six channels can be recorded simultaneously.
Playback Channels
4 channels via USB (DAW 1-4)
Analog Inputs (Sources)
2 TRS line input channels (balanced)
2 RCA line input channels (rear, unbalanced)
1 mini jack stereo input (unbalanced)
Digital Inputs
1 USB
1 S/P-DIF stereo input (coax)
1 MIDI
Analog Outputs
Speakers A: 2 XLR sockets (L/R, balanced)
Speakers B: 2 TRS sockets (L/R, balanced, w. trimming)
2 headphone sockets (TRS)
Digital Outputs
1 USB
1 S/P-DIF stereo output (coax)
1 MIDI
Hardware
- USB 2 audio/MIDI system
- High-performance, 32bit microcontroller
- 24bit audio processing
- 6 input and 4 output channels at 192kHz (6/6 at 96kHz)
- Sample rates: 44.1kHz, 48kHz, 88.2kHz, 96kHz, 176.4kHz or 192kHz
- Fixed master clock for lowest jitter
- True 1:1 audio, no sample rate conversion or clock recovery
- S/P-DIF and MIDI I/Os
- Selectable internal and external clock source or automatic detection
Software
- Windows XP/Vista/7/8/10 (32 and 64 bit) Mac OS X 10.6 or higher
- Multi-application mode, simultaneous ASIO and/or WDM playback
- Extremely low-latency Mac OS X (ASIO-like) HAL plug-in driver (1 ms)
- Extremely low-latency Windows ASIO and WDM driver (1 ms)
- Driver feedback synchronization to hardware clock
- ASIO control panel for Windows and Mac
- USB Audio Class 2.0 compliance (asynchronous mode)
